My friend Jae wrote on Letterboxd:
It’s pitiful that this will be marketed as the “iPhone film” or the movie with the the transsexuals – because I believe it offers so much more than this – though both aspects are important for different reasons.
I had the same thought watching it, that people would know or remember it as “the iPhone movie,” which makes me a little sad because I thought it was brilliant filmmaking that didn’t have much to do with what camera they shot it on. I think the budget was around $100,000 and you could easily make a film for a third or less the cost but with a much better camera.
What I loved was the editing, the sense of movement, the music and how it worked with the images, the performances, the writing, and above all the rhythm that makes it feel so alive. That feeling of “aliveness” is hard to define and even harder to create. To me, it’s a combination of playfulness, good camera work, great editing, and not giving a fuck (in a good way).