Roger Ebert on The Exterminating Angel

Then, in a series of subtle developments, it becomes apparent that no one can leave. They make preliminary gestures. They drift toward the hallway. There is nothing to stop them. But they cannot leave. They never exactly state that fact; there is an unspoken, rueful acceptance of the situation, as they make themselves comfortable on sofas and rugs.

This is a brilliant opening for an insidious movie. The tone is low key, but so many sinister details have accumulated that by the time the guests settle down for the night, Bunuel has us wrapped in his spell.

– Roger Ebert on The Exterminating Angel

God I loved this film. And everything else I’ve seen by Bunuel. The Discrete Charm of the Bourgeoisie is still my favorite.