The consensus from Austin Film Festival (and honestly, anyone working in Hollywood that I’ve ever talked to or heard on a podcast) was that only two matter: if you’re a finalist for the Nicholl Fellowship or at AFF.
I was in Austin last week for the Austin Film Festival. It was a great time. The centerpiece of the festival is the four-day screenwriting conference, which means panels, networking, and parties.
As an aside: some of the panels were great and some were just OK. The panels I didn’t like were mostly because of a moderator that couldn’t or didn’t seem to understand the audience and what we wanted to hear. Moderating is an underrated skill.
The secret of theft, which is also called “creativity,” is you have to steal a bit from a lot of different places. You can’t go to the same 7/11 every time because they’ll catch you. So you go to the photo shop, and you go to the gas station, and you go to that little hot dog stand that nobody goes to and by the end you’ve stolen enough stuff from enough places that people think its yours.
Art is fire plus algebra.
I found this quote in a book that wasn’t amazing but did have this quote, which is good.1
I wonder about the efficacy of quoting a great writer in an average book. A lot of times it just makes me realize that I’d rather be reading a better writer and I put the book down and find something better to read. ↩
I must say that I’ve never approached a project without fear – especially the writing aspect of it – and commitment to the writing. I always felt I could know a bad performance from a good performance or fake a way to make something look good, but if I were wrong in the script, then that’d be as wrong as I could be.
The purpose of being a serious writer is not to express oneself, and it is not to make something beautiful, though one might do those things anyway. Those things are beside the point. The purpose of being a serious writer is to keep people from despair. If you keep that in mind always, the wish to make something beautiful or smart looks slight and vain in comparison. If people read your work and, as a result, choose life, then you are doing your job.
If you haven’t anything to say, you sure as hell better know how to say it.
-Pauline Kael, Politics and Thrills in The New Yorker (1973), excerpted from The Age of Movies.
Filed under anti-inspiration?
My taste, I mean if I had to pick one movie, which I would never want to do, I keep thinking about “La Strada,” because there’s such a total commitment to those people and the movie never puts itself above any of the people in it. It’s a very Franciscan approach to the drama, and to me that’s very beautiful.
I’m not a mathematician but I like to think that breaking a story is like is like solving a mathematical proof, one that hasn’t been solved before.
Same concept, but not as difficult. Math is harder than writing.
Most people think they’re pretty good singers. This has something to do with the way your voice resonates inside your skull. It’s a lie born in our bone structure. And that’s why when you hear your voice played back from a recording it’s pretty shocking. The truth is most people aren’t good singers. Most people are bad singers. And the same principle applies to our ideas. Things usually sound great inside our heads. So it can be a huge disappointment to see them on the page, out there in the real world. Suddenly they don’t sound so clever or as interesting or as intelligent. Suddenly, they sound dumb. This is a good thing. People become better singers by forcing themselves to sing. And facing your bad ideas is how you make them good ideas. But you have to get them out there first. You have to write them down.