Wide-angle close ups and the Coen brothers

I’ve watched this EFIAP about eight times now. I watched it about a week before production on The Deadline started and I sent it to Nick the DP and he was like “oh man, I just watched that too!” So we ended up stealing the idea of going wide in close-ups and I’m really happy with the way it came out. You really feel like you’re there with the actors.

When I watch the scene in Tony’s video where the camera changes angles on Roger Deakins, I can actually feel an emotional difference–it’s subtle and probably most people can’t tell, but I think it’s meaningful.

I also like the way they shoot from “inside the space” between the two characters. Personally I don’t like dirty close ups because they take me out of the moment. There’s something ‘off’ about a character talking while we’re looking at the back of their head, and it always takes me out of the moment.

Here’s the video:

And here are some stills from the film. They haven’t been colored yet, but you feel like you’re right there with them. At least I do!

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Robert's Import Sync.00_53_03_22.Still015
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