I like to get feedback on my work throughout the writing process, by doing readings (in front of audiences of other writers or live audiences, depending on what stage the script is in) and I started getting feedback on my rough cuts when I did Words Fail Me last year. Last weekend, I had six friends come over and we watched the latest version of the rough cut of The Deadline.
I prefer to do the screening in my apartment because then people will actually sit there and watch without distraction–it’s hard to sit through a short film when you’re home alone and your phone is beckoning to distract you (at least it is for me).
I thought it was going to take about an hour — 15 minutes to watch it and 45 minutes to discuss, but we ended up talking for about 2 hours. The feedback was really great and it allowed me to see things that were in front of me but had become invisible through repetition. And there were a couple of beats that I loved but everyone said that they should be cut. It’s heartbreaking because I really loved those parts, but they just didn’t work for the story.
And there were some notes that I will not be using. I think you shouldn’t take everything, otherwise people will feel too much responsibility when they give a note, because they know you will take it.
And sometimes there are secret reasons for doing something and you just have to trust your gut that they are for the best. Feedback should make the work stronger and make you a better editor. I wonder if mastery of editing would mean that your instincts are so refined that all feedback would be superflous.
I'm putting together a comprehensive course to teach actors how to produce short films and web series. Sign up to be notified of when it launches.