I read this on Seth Godin’s blog a couple years ago:
Without a doubt, the ability to connect the dots is rare, prized and valuable. Connecting dots, solving the problem that hasn’t been solved before, seeing the pattern before it is made obvious, is more essential than ever before.
Why then, do we spend so much time collecting dots instead? More facts, more tests, more need for data, even when we have no clue (and no practice) in doing anything with it.
Their big bag of dots isn’t worth nearly as much as your handful of insight, is it?
When I first thought about it, I was thinking about it in terms of analytics and what I do for my day job. But the more I think about it, the more it relates to my film work as well. Writing creatively is about collecting a lot of dots and then connecting them in creative ways.
Sometimes the dots are characters, storylines, forms, angles, shots, etc. Or they can be ideas, themes, concepts. A few times I’ve had an idea for a script rattling around in my head for months or even years and it’s just not enough for a full screenplay — it’s just a dot. And then I’ll watch a movie or see a play or read a book and get another dot that fits perfectly with the first dot.
Sometimes it’s a concept that needs a character, or a theme that needs a story, or it can be a combination of many things. And I’ll consume some other work of art or entertainment and I’ll get a new idea and it just clicks.