Back pocket notes

Another busy couple of weeks as pre-production intensifies on the feature film. Every time I feel like I’m on top of things, new things come up. The schedule, shot lists, finalizing the DP, food planning, contracts, etc. Sometimes it seems like there’s hardly any time to deal with the actual work of directing — thinking about and planning how to shoot the actual film, how to talk to the actors, etc.

Today I took a bit of a break. I try to keep some semblance of a day off on Sundays, with a leisurely morning and only some basic writing (i.e. journaling).

In the afternoon, I went up to 2112 to participate on a panel about pre-production for a group of female comedy filmmakers. The program is run by WiCo (Women in Comedy) and they asked for volunteers to talk about pre-production and other aspects of filmmaking.

One of the questions was “what went wrong on one of your projects?” and I told a story about the first time I directed anything (Words Fail Me). A few minutes into the improvisation on the first take in the first episode, I realized that I didn’t know what to say after saying “cut” and I was so nervous that I let the actors go on for about eight minutes while I thought of notes to give them.

After that I learned to keep a note in my back pocket at all times, so at the beginning of the day, I know what to say when I don’t know what to say. Sometimes you just watch a scene and think “hm” and don’t really know what to do and it takes a few takes to figure out why it’s not working the way you imagined it would work.

The Americans is over. It’s the only TV drama I’ve been able to get into in a long time and it’s one of my favorite shows of all time. I won’t spoil the ending, but it was an intense, heart-wrenching episode with some really nice surprises. Excellent writing.

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